where I am the instrument. Without a defined ideal, Ienjoy spontaneity when planning, when exploringpossibilities to execute new ideas.However, sculpting is an interesting process whereintervention must be done with creativity andreason, intuition and caution. I need both energies inorder to project images and emotions frommy collective visual memory, from the surprises that keep comingand to give the sculpture space to work and transform on its ownWorking with steel, with a figurative form or with a mixed medium piece, all happens with some planning. In a continuous and spontaneous way, I abstract and stretch the reality of the shapes,bending and twisting them, looking for the angles thatcan bring harmony and unity to the whole. Eachmovement modifies the work. I am constantly looking for the perfect shape. When I finally see the final piece is when I have the culmination of an emotion-filled work in front of me.In my work, I look for interactive qualities, which fromevery angle, every irregularity I see, I perceive a new relationship of forms and manage to keep every piece unique.I enjoy the immediacy of my art. From flat surfaces, multi-dimensions quickly appear in front of my eyes, with their own language – I am merely the tool that allows them to emerge.
And about my poetry, I will tell you later.
My paintings and sculptures are defined by expressionism,